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Ray Nance

( 1913 Births )

Early years
Ellington tenure
Post-Ellington years
Discography

As leader
As sideman

Notes
References
External links

C O N T E N T S

Columbia Duke Ellington Nance

Rank: 100%

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Ray Willis Nance (December 10, 1913 – January 28, 1976)

(1992). 9780851125800, Guinness Publishing. ISBN 9780851125800

was an American jazz trumpeter, and singer. He is best remembered for his long association with Duke Ellington and his orchestra.

Early years

Nance was born in Chicago on December 10, 1913. He started playing the violin at the age of 9 and was so proficient by the time he was 14 that he enrolled at the Chicago College of Music. In high school, he taught himself trumpet because “I wanted to hear myself on a louder instrument in way I couldn't do with a violin in an orchestra.” He was the leader of his own band in Chicago from 1932 to 1937. An ad in a June 1933 prom book at the Edgewater Beach Hotel for the Staples Cafe, 6344 N. Broadway, Chicago shows "Ray Nance and His Ebony Aces." Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson.

Ellington tenure

Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance's first recorded performance with Ellington was at the Fargo, North Dakota ballroom dance. Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of "Take the "A" Train", which became the Ellington theme. Nance's "A Train" solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance's solo on "A Train" almost exactly as the original. Nance was often featured on violin, and was the only violin soloist ever featured in Ellington's orchestra (especially noteworthy is his violin contribution to the original 1942 version of "The 'C' Jam Blues"). He is also one of the better known male vocalists associated with Ellington's orchestra. On later recordings of "It Don't Mean a Thing (If It Ain't Got That Swing)", Nance took the previously instrumental horn riff into the lead vocal, which constitute the line "Doo wha, doo wha, doo wha, doo wha, yeah!" He was often featured as vocalist on "Jump for Joy," "Just A-Sittin' and A-Rockin'" and "Just Squeeze Me (But Please Don't Tease Me)". His multiple talents (trumpet, violin, vocals and also dancing) earned him the nickname "Floorshow".

Nance was absent from the Duke Ellington Orchestra for three or four months in 1946, including the date of that year's Carnegie Hall concert. In 1949, Nance participated, along with Ellington sidemen Russell Procope, Johnny Hodges and Sonny Greer on several Ivory Joe Hunter sessions, for King Records of Cincinnati.

Post-Ellington years

He left Ellington in 1963 during their Middle East tour after having played alongside his returned predecessor Cootie Williams for a year. He continued to make several guest appearances in the orchestra over the years and later toured and recorded in England in 1974.

Nance made a few recordings as a bandleader, and also recorded or performed with Earl Hines, Rosemary Clooney, Jaki Byard, Chico Hamilton and others.

Discography

As leader

Ellingtonia (Wynne, 1959)
A Flower Is A Lovesome Thing (Parker Records, 1959)
Body and Soul (Solid State, 1970)
Huffin' 'n' Puffin' (MPS Records, 1974)

As sideman

With Ahmed Abdul-Malik

Spellbound (Status, 1964)

With Jaki Byard

Jaki Byard with Strings! (Prestige, 1968)

With Duke Ellington

(Storyville, 1940 performance)
Duke Ellington and His Great Vocalists (Sony, c. 1940s)
Cabin in the Sky Soundtrack (Rhino Records, 1942 performance)
Indispensable Duke Ellington, Vol. 11–12 (1944–1946) (RCA, 1944–1946 performances) or The Best of the Complete Duke Ellington RCA Recordings, 1944–1946) (RCA Records, 1944–1946 performances)
Ellington Uptown (includes Harlem Suite, Controversial Suite, Liberian Suite) (Columbia, 1947, 1951, 1952 performances)
Masterpieces by Ellington (Columbia, 1950, 1951 performances)
Ellington '55 (Capitol, 1955) or Jazz Profile (Blue Note, 1950s, 1960s performances)
A Drum Is a Woman (Columbia, 1956)
Blue Rose (With Rosemary Clooney) (1956)
Historically Speaking (1956)
Ellington at Newport (Columbia, 1956)
Such Sweet Thunder (Columbia, 1957)
All Star Road Band (Doctor Jazz, 1957 1983)
Black, Brown and Beige (Columbia, 1958)
Live at the Blue Note (1958)
Newport 1958 (Columbia, 1958)
Festival Session (Coilumbia, 1959)
Blues in Orbit (Columbia, 1959)
Anatomy of a Murder (Columbia, 1959)
Jazz Party (Columbia, 1959)
Piano in the Background (Columbia, 1960)
Hot Summer Dance (Red Baron, 1960 1991)
The Nutcracker Suite (Columbia, 1960)
Swinging Suites by Edward E. and Edward G. (1960) (Peer Gynt Suite/Suite Thursday)
First Time! The Count Meets the Duke (Columbia, 1961)
All American in Jazz (Columbia, 1962)
Midnight in Paris (Columbia, 1962)
Duke Ellington Meets Coleman Hawkins (Impulse!, 1962)
The Great Paris Concert (Atlantic, 1963)
Duke Ellington's Jazz Violin Session (Atlantic, 1963)
My People (1963)
Afro-Bossa (Reprise, 1963)
The Symphonic Ellington (1963)
Ellington '66 (1965)
Concert in the Virgin Islands (1966)
In the Uncommon Market (1966)